What is the BASSBOSS AT112-MK3 (Attuned12)?

2-way single 12 inch self-powered full-range top with a rotatable 90 by 60 degree constant directivity horn and an 800 Hz crossover for vocal intelligibility. 3200W Class D amplification (2400W LF, 800W HF) with 96kHz onboard DSP and 8 pushbutton presets. 55 lbs / 25 kg, 14 M10 fly points, available in black or white. A compact mid-high top designed to run over BASSBOSS subwoofers.

How does the AT112 differ from the DV12?

The DV12 is a mobile DJ top that can run standalone and reaches down to 40 Hz with a wide 120 by 20 pattern. The AT112 is lighter at 55 lbs, is designed to run with subs, has more mid and high output, a rotatable 90 by 60 horn, and an 800 Hz crossover for vocals. It is also the only BASSBOSS top available in white.

Does the AT112 come in white?

Yes. The Attuned12 is the only BASSBOSS powered top offered in white, with a continuous scalloped grille and no visible screws.

How much subwoofer can the AT112 keep up with?

More than its size suggests. Owners running a pair of AT112 over a pair of SSP218-MK3 dual 18 subs added a second pair and still had headroom to spare. A single AT112 comfortably tops one to two dual 18 subs per side and scales up to large sub counts, including Makara-MK3 and Kraken-MK3, before the tops become the limit.

How many fly points does the AT112 have and can it be flown sideways?

14 internally braced M10 fly points: four on top, four on the bottom, and two each on the left, right, and rear, plus a 35 mm pole socket. It can be flown upright, inverted, horizontal, or sideways, and the rotatable 90 by 60 horn keeps coverage aimed correctly in any orientation, including a low-profile sideways hang for tight ceilings.

BASSBOSS AT112-MK3 Attuned12 Single 12 inch Powered Top

Name: BASSBOSS AT112-MK3 Attuned12 Single 12 Powered Top
Brand: BASSBOSS
SKU: AT112-MK3
Price: 3995.00 USD
Availability: InStock

What we hear from owners

What AT112‑MK3 owners are reporting

Early patterns from nightclub installers, bar operators, and mobile production crews.

One person carries it in

At 55 pounds it is the lightest, most ergonomic top in the line. Four handles set into the cabinet sides, not screwed onto the wood, let a single tech lift it and drop it on a pole without a second set of hands. Crews feel it on every load-in.

Nightclub crews are calling it the club standard

A compact footprint, 14 M10 fly points on every face, and a rotatable horn make it the easiest BASSBOSS top to angle into a club ceiling. Venues replacing older dual 12 install tops get most of the output in a box that is far smaller and lighter.

The white cabinet wins the rooms where the box has to disappear

It is the only BASSBOSS powered top offered in white. The continuous scalloped grille hides the internals and shows no screws. Houses of worship, high-end corporate, and design-forward venues spec it for exactly that reason.

The 800 Hz crossover keeps vocals clear

It runs the lowest HF crossover in the AT line, handing vocals and lead instruments to the compression driver earlier. Speech and vocal-forward programming stay intelligible and natural at volume — a point a lot of owners ask for.

Output per pound is the headline

It lands within a few dB of the larger AT212 from a single 12 cabinet that weighs 55 pounds. For crews that want most of the AT212 punch without the dual 12 size and weight, this is the box.

It is built to run with subs

Unlike the DV12, the AT112 is a dedicated mid-high. Pairing it over BASSBOSS subs is how it is designed to work, and every preset phase-aligns to whatever sub you put under it so the system always plays in harmony.

The fly-point layout makes it the easiest box to hang

Fourteen M10 points on every face, recessed handles on the sides and on the top and bottom of the rear, and a rotatable horn let one tech hang it upright, sideways, or inverted and still aim the pattern at the crowd. Install crews call out the low-profile sideways hang for tight or concealed ceilings.

The hydrophobic grille looks clean and shrugs off spills

A hydrophobic cloth behind the grille conceals the 12 inch driver and horn for a clean, professional face, and the woofer cone is weatherproof-treated. It looks the part in a high-end room and survives the reality of a busy bar.

It does not run out of headroom against big sub counts

In the FBS demo room a pair of AT112 started over a pair of SSP218 dual 18 subs, then a second pair of SSP218 was added and the tops still had headroom to spare — enough that the crew figured it would hold up against several more subs per side. A single AT112 keeps up with far more low end than its size suggests, so you can scale the subs without the tops becoming the limit.

Clear, balanced, and effortless when pushed

Field reports describe vocals that stay clear and intelligible, a linear and well-balanced response, and detail that holds together from the quiet passages to the loud ones. Pushed hard, it stays composed instead of straining.

Decision framework

Is the AT112‑MK3 right for you?

Buy it for

Nightclubs, sports bars, dance clubs, comedy clubs, and live rooms that want a compact, high-output top over BASSBOSS subs. Fixed installs that need flexible rigging, with 14 M10 points and an upcoming U-bracket for fast horizontal or vertical mounting. Houses of worship, high-end corporate, and design-forward venues that need the white finish and a clean, screw-free grille. Mobile production crews who want a one-person-lift top on a pole over subs. Anyone who wants close to AT212‑MK3 output in the lightest, most portable cabinet in the AT line.

Look elsewhere if

You run fully standalone with no subs and want one full-range box that reaches down to 40 Hz on its own, where the DV12‑MK3 is built for exactly that. You need maximum SPL and the longest throw for big outdoor mains and festival, where the dual 12 AT212‑MK3 is the larger, louder cabinet. You need reference near-field clarity for theaters and critical install, where the AT312‑MK3 triple 12 coaxial fits. You need a 1,000 plus capacity line array, where the MFLA‑MK3 is the right scale.

Buyer research

Questions other clients have asked

Common pre-purchase questions on the AT112.

AT112 versus DV12, which one do I want?

Different intent. The DV12‑MK3 is the speaker-on-a-stick for mobile DJs: it runs full range down to 40 Hz on its own when you do not bring a sub and spreads a wide 120 by 20 pattern across a ballroom. The AT112 is lighter at 55 pounds, always runs with subs, puts out more mid and high, and uses a rotatable 90 by 60 horn with a lower 800 Hz crossover for vocals. Bring subs and want the lightest, cleanest top: AT112. Want one full-range box that covers wide and carries its own low end: DV12.

AT112 versus AT212, which one do I want?

Scale. The AT212‑MK3 is the larger dual 12, the loudest and longest-throw top in this group, tall enough to sit on a sub and reach an audience at distance. The AT112 gets within about 3 dB of it from a single 12 cabinet that weighs 55 pounds instead of 99. For big outdoor mains and maximum SPL, AT212. For nightclubs, installs, and anywhere one-person handling and a compact footprint matter, AT112.

Do I have to use subs with it?

Yes, that is the design. The AT112 is a dedicated mid-high. Handing the low-frequency work to a sub is exactly what let BASSBOSS make it lighter than the DV12 while giving it more mid and high output. Every preset phase-aligns to a BASSBOSS sub so the top and sub always play together.

What subs pair with the AT112?

For clubs and bars: VS21‑MK3 single 21, SSP215‑MK3 dual 15, or SSP218‑MK3 dual 18 — owners call the VS21 and SSP215 especially good width and height matches under a pole. For EDM and bass-forward rooms: ZV28‑MK3 extended-depth dual 18. For festival and large-format headroom: Makara‑MK3 dual 21 or even Kraken‑MK3. Smaller mobile rigs run it over a DJ18S‑MK3 or SSP118‑MK3.

How much sub can the AT112 keep up with?

More than the cabinet size suggests. Owners running a pair of AT112 over a pair of SSP218‑MK3 dual 18 subs added a second pair of SSP218 and still had headroom left over. A single AT112 comfortably tops one to two dual 18 subs per side, and the tops scale up to large sub counts — Makara‑MK3 or Kraken‑MK3 included — before they become the limiting factor.

How does the AT112 sound?

Clear, linear, and balanced. Vocals stay intelligible, the response is even rather than hyped, and detail holds together from quiet passages to loud ones. Pushed hard it stays composed and effortless rather than straining, which is the point of running it as a dedicated mid-high over subs.

Can it be flown or angled into a ceiling?

Yes. 14 internally braced M10 points — four on top, four on the bottom, two each on the left, right, and rear — plus a 35 mm pole socket and an upcoming U-bracket. You can fly it upright, upside down, horizontal, or sideways, and because the horn rotates you keep the 90 by 60 pattern aimed at the crowd in any orientation. The sideways hang gives a low-profile install for tight or concealed ceiling spots.

How weatherproof is the AT112?

Built for spills and the outdoors. The drivers sit behind a hydrophobic grille cloth, the woofer cone is weatherproof-treated, and the cabinet uses a bonded polyurea finish with IP65-rated powerCON True1 connectors. That covers outdoor patios and rooftops as well as the reality of a busy club where drinks get spilled near the cabinet.

Does it come in white?

Yes, and it is the only BASSBOSS powered top that does. The continuous scalloped grille hides the cabinet internals and shows no screws, which is why it gets specced for houses of worship, premium corporate, and venues where the box has to look clean or disappear.

Q10

Does the AT112 need outboard processing?

No. Comprehensive 96 kHz onboard DSP with eight pushbutton presets handles high-pass and low-pass filters, phase alignment to your subs, EQ, and multi-stage limiting. Plug and play.

System design

This pairs well with

The AT112 is a dedicated mid-high. The sub under it sets the application.

Nightclub + bar FOH

VS21‑MK3 or SSP215‑MK3

AT112 tops over a VS21 single 21 or SSP215 dual 15 is the clean, compact club rig: full dance-floor coverage from a footprint that fits real nightclub ceilings, with the sub width and pole height matched to the top. Add a second sub per side, or step to SSP218 dual 18s, as the room grows.

EDM + bass-forward

ZV28‑MK3

For EDM, dubstep, trap, and bass-forward programming, AT112 over ZV28 extended-depth dual 18 subs delivers the deep low end the music is written to while the horn keeps the highs clear.

Festival + large room

Makara‑MK3

When the room scales up, AT112 cabinets arrayed horizontally over Makara dual 21 subs hold the mid-high while the Makara carries the foundation for festival and large-format club FOH.

Field video

AT112‑MK3 in the field

Owner reviews and field recordings.

AT112 nightclub review — Full Blast Sound and Lights

AT112 sound check — multi-track playback demo

AT112 rigging and ergonomics walkthrough — fly points, handles, pole mount

AT112 system review — headroom and sub pairing with SSP218, VS21, and SSP215

Honest answers

Doubts our clients initially had

Before they bought, here is what made buyers hesitate. We talked it through. Short version.

55 pounds sounds too light to be loud.

It is light because it does not try to make its own bass. The AT112 is a dedicated mid-high meant to run over subs, and that focus is exactly what lets it land within a few dB of the much larger AT212 while one person carries it.

Single 12 — can it really fill a club?

Over the right sub it covers a dance floor cleanly, and it arrays horizontally for roughly +3 dB and wider coverage when one cabinet per side is not enough. Nightclub crews are already running it as the standard club top.

Why does it need subs when the DV12 does not?

Different design goal. The DV12 carries some low end so it can work alone on a stick. The AT112 hands all the low-frequency work to a sub on purpose, which is what frees it to be lighter and put more energy into the mids and highs.

Is the white finish just cosmetic?

Same weatherproof polyurea cabinet and the same drivers as the black. The white exists because a lot of worship, corporate, and high-end venues will not put a black box on the wall. It is the only BASSBOSS top that gives you that option.

I want to hear one before I commit.

Tell us your city and the application. AT112 cabinets are landing in nightclub and install builds across TX and beyond; we route introductions to venues running them.

BASSBOSS AT112‑MK3