2-way dual 12 inch self-powered vented direct-radiating full-range with rotatable 80 by 60 degree constant directivity horn. 3200W Class D 2-channel amplification (2400W LF, 800W HF) with comprehensive 96kHz onboard DSP. 50 to 18,000 Hz response. The BASSBOSS horn-loaded top for outdoor mains, festival production, nightclub FOH, and large-room work.
$4,995 each
Quote includes shipping, system bundles, and current lead time.
Most quotes sent same business day. Real people, no scripts.
Recommended accessories
AT212 Padded Transport Cover
Heavy-duty padded nylon cover, custom-fit to the AT212. Embroidered BASSBOSS logo. 4 to 6 weeks lead time.
$280cover with logo
Drivers
2×12″horn-loaded full-range
Amplification
3200WClass D 2ch: 2400 LF / 800 HF
Coverage
80°×60°rotatable horn, constant directivity
Weight
99lb45 kg, production-grade
What we hear from owners
What AT212‑MK3 owners report after the first festival run
Patterns from production crews, outdoor event operators, and nightclub installers.
01
The horn delivers long throw the DV12 cannot match
For outdoor mains, large indoor production, and audiences past 40 feet, the 80 by 60 horn projects intelligibility to distance in a way the DV12 wide-pattern cabinet does not. Owners stepping up from DV12 rigs hear this on day one.
02
Rotatable horn handles vertical and horizontal
The 80 by 60 pattern rotates to suit the room. Wide-rectangular outdoor stages get horizontal coverage; deep narrow venues get vertical. Single cabinet, multiple deployment shapes.
03
Discrete LF and HF amp channels keep the cabinet clean
Each driver section runs in its linear range under sustained festival output because each has its own amp channel (2400W LF, 800W HF). Shared-amp dual 12 tops compress noticeably across a full festival day where the AT212 stays clean.
04
Pairs with SSP218 for corridos and regional Mexican
AT212 horn-loaded tops over SSP218 dual 18 subs is the standard production rig for corridos, cumbias, banda, and regional Mexican music. The horn delivers vocal and instrument clarity; the SSP218 carries the mid-bass and bass-drum foundation that programming requires.
05
Festival production picks it for the truck math
For festival production where truck-pack efficiency and rigging speed matter, AT212 is the workhorse top. 99 lbs is forklift-friendly and the cabinet rigs and flies cleanly.
06
Nightclub FOH builds use it over big sub arrays
For high-energy clubs at 600 to 1500 cap, AT212 over Makara or SSP218 sub stacks delivers the long-throw mid-high that 12-inch coaxial nightclub tops do not reach.
Decision framework
Is the AT212‑MK3 right for you?
Buy it for
Production crews and rental fleets running outdoor mains, festival, and large indoor work at 500 to 1500 cap. Corridos, cumbias, banda, and regional Mexican music with SSP218‑MK3 dual 18 subs (the standard regional-Mexican rig). Nightclub FOH at high-energy clubs over Makara‑MK3 or SSP218‑MK3 sub arrays. Touring rigs scaling per venue with rotatable horn deployment. Pairing under MFLA‑MK3 line array as fill, or solo with appropriate sub stacks.
Look elsewhere if
You are a mobile DJ running 150 to 500 cap weddings and corporate, where the DV12‑MK3 single 12 is the standard mobile rig (and at 63 lbs versus 99, the right format). You need reference-grade near-field install clarity in theaters and high-end venues, where the AT312‑MK3 triple 12 coaxial is what fits. You need festival line array for 1,500 plus cap rooms, where the MFLA‑MK3 is the right scale.
Get a real quote
Send a system spec, not a price shopping number
Tell us the room, the audience size, and what you run today. We come back with the right pair, freight, and price. One short form.
Different scale, different jobs. DV12 is the mobile DJ single 12 at 63 lbs with 120 by 20 wide dispersion. AT212 is the production dual 12 at 99 lbs with 80 by 60 horn-loaded long-throw. Mobile DJs go DV12. Production crews, festival operators, and nightclub installers go AT212.
Q2
AT212 versus AT312, which one do I want?
Different applications. AT212 is the horn-loaded long-throw top for outdoor mains, festival, and audiences at distance. AT312‑MK3 is the triple 12 coaxial point-source for near-field reference clarity in theaters and high-end install where the audience is close. For outdoor and long-distance work, AT212 every time. For near-field reference detail, AT312.
Q3
What subs pair with the AT212?
For standard production: SSP218‑MK3 dual 18 (corridos, regional Mexican, live music) or VS21‑MK3 single 21 (mid-size production). For festival: Makara‑MK3 dual 21 hybrid or Kraken‑MK3 quad 21 flagship. For EDM-forward club FOH: ZV28‑MK3 extended-depth dual 18. SSP118 single 18 is not balanced under AT212 unless you run 4 plus per side.
Q4
Can the AT212 be flown?
Yes. Integrated rigging points for flown production deployment. Common in nightclub installs and festival mains.
Q5
How does AT212 compare to other production dual 12 tops?
Horn-loaded dual 12 with discrete LF and HF amp channels (2400W LF, 800W HF). Most production dual 12 tops at this tier share amplification across both drivers; the AT212 dedicated-channel topology stays cleaner under sustained festival output. Pricing typically lands below European premium-tier dual 12 production tops.
Q6
Does the AT212 need outboard processing?
No. Comprehensive onboard 96kHz DSP handles tuning, limiting, alignment to BASSBOSS subs, and 8 pushbutton presets.
System design
This pairs well with
AT212 is the BASSBOSS production horn-loaded top. The sub tier defines the application.
AT212 over SSP218 dual 18 subs is the standard production rig for corridos, cumbias, banda, tejano, and regional Mexican music. The horn carries the vocals; the SSP218 covers the bass-drum and bass-guitar foundation.
AT212 horn-loaded tops over Makara dual 21 hybrid subs: festival mains, high-energy nightclub FOH, and large outdoor production at 1,000 plus cap. The Makara extension complements the AT212 horn output.
For EDM, dubstep, trap, and bass-forward nightclub FOH, AT212 over ZV28 extended-depth dual 18 subs delivers the 23 Hz extension that the music programs to.
Field video
AT212‑MK3 in the wild
Owner reviews and field recordings.
AT212-MK3 overview
AT212-MK3 flying deployment
Honest answers
Doubts our clients initially had
Before they bought, here is what made buyers hesitate. We talked it through. Short version.
D1
99 pounds per cabinet is real.
It is. The AT212 is production-grade and built for fixed-position rigging, flown deployment, or two-person ground-stack work. For mobile DJ rigs that one person loads in alone, the DV12 single 12 at 63 lbs is the lighter sibling.
D2
The horn pattern feels narrow versus the DV12.
80 by 60 is narrower than the DV12 120 by 20, but the math is different. The AT212 horn projects to distance with controlled coverage; the DV12 spreads near. For outdoor and large-room work where the audience is at depth, the controlled horn pattern hits the entire audience plane cleanly without wasting SPL on the side walls.
D3
Why pay AT212 prices when other dual 12 production tops are cheaper?
Discrete LF and HF amp channels, horn-loaded long-throw design, rotatable pattern, and the cabinet alignment that runs the production line. Sustained festival output is where the differentiator shows. Lower-tier cabinets compress and lose vocal intelligibility late in the night where the AT212 holds its character.
D4
AT212 versus AT312, the names are confusing.
Different cabinets, different jobs. AT212 is the horn-loaded long-throw production top for outdoor, festival, and large rooms. AT312 is the triple 12 coaxial point-source for near-field reference clarity in theaters and high-end install. If you need throw, AT212. If you need near-field detail, AT312.
D5
How does it compare to L-Acoustics or d&b at this scale?
Different brands, different tiers. The AT212 holds its own on sustained output, vocal intelligibility at distance, and horn-loaded character. Pricing typically lands meaningfully below the European premium tier at comparable measured output. Most production decisions at this scale come down to existing rental inventory, regional support, and the specific room geometry.
D6
I want to hear an AT212 install before buying.
AT212 density is high in production rental fleets and nightclub install groups in TX, FL, CA, and emerging in the Northeast. Send your city and the application; we route introductions to venues running the deployment.
